Garage Door Opener Pulley

Over the weekend, one of the extension springs on our garage door opener broke. I decided to replace it myself rather than pay a bunch of money for somebody else to do it; while I was getting ready for the repair, I took a bunch of reference pictures in case I needed them along the way. I ended up not needing any of them; it was a fairly easy and straightforward job which I finished in only about an hour. (I might have done it in fifteen minutes if I hadn't kept dropping things or forgetting where I put something, and also having to go back inside to wam up my hands--I did this last Saturday night, when it was very cold!)

Anyway, I really like this picture, even if I didn't need it to get the garage door working again.

"Try to Keep the Ball Low..."

There is quite a bit of wisdom to be gleaned from this exchange between Charlie Brown and Lucy (from March 19, 1969), but I don't think the real takeaway here is "try to keep the ball low." (I think it's something about how often the better choice is to just shrug and say, "It's a mystery to me, too," because, really, the Lucy Van Pelts of the world don't want to hear your answers.)

My Default Chekhov

Up until I was nineteen or twenty, if you had said "Chekhov" to me, I would have immediately thought of Ensign Pavel Chekov, the navigator of the U.S.S. Enterprise, played by Walter Koenig on the original "Star Trek" series and in a number of theatrically-released movies. He was my default Chekov. (Didn't know there was such a thing, did you?)

Sometime around 1986, though, my default Chekhov changed (both in the person it referred to and in the number of H's in the spelling, as you can see.) I was very interested in short stories then (still am, though back then I actually wrote them; now I don't), and I was reading a book I'd bought used somewhere or other called The Short Story. (It's actually an old college textbook for a literature class in short stories; it was published in 1967, the year I was born.) One night I read a Chekhov story in that book called "The Lament," about Iona, the cab driver in late-nineteenth century Russia, who is so overcome with grief at the loss of his son, and so unable to express his grief to any of the uncaring people he encounters through the course of the story, that at the end of the story he tells all his problems to the little horse who pulls his cab.

It's a stunning little story--only about four pages long, probably no more than 2,000 words, but heartbreaking. That's when my default Chekhov switched from the fictional twenty-second century starship navigator to the real nineteenth century Russian author.

I didn't actually read that much more Chekhov then, though, although I probably did sometimes tell people he was one of my favorite writers. Mostly I was reading the works of people who were American and still living and writing (Raymond Carver, who was still alive and working then, Bobbie Ann Mason, David Leavitt, Peter Cameron, Lorrie Moore, and a whole host of others, all of whom are still working as I write this) and dreaming about taking my place among them (which I never did--but that's okay; I gradually came to recognize that I didn't necessarily belong among them).

These days I do read a good deal more Chekhov, and I love his stories. But what I also love is the alienness of the people and places he describes--there's something immediately intriguing to me about being told that a character's name is Dmitri Illyich, and that he is sleeping on a haystack near an old barn in Vladivostok. Those exotic names (or exotic-sounding, to my American ear) get me every time.

Buford Highway Recollections

Book Nook as it appears now, in its current location on North Druid Hills road

In the early 1980s, my cousin and friend Scott and I would go on book-buying trips down Buford Highway once a month or so. (At least I remember it as being that often and that regular. Maybe it's something we only did three or four times…but I remember it as being every month or so for a period of a year or so. Also, for me they were book-buying trips, but I think Scott was actually more interested in looking for records.) Sometimes we'd go on a Saturday, sometimes on a weekday afternoon after school—most of the time when this was a regular event for us, we were both still in high school at Berkmar, me in ninth or tenth grade and him in eleventh or twelfth.

The high spot of these trips was Book Nook. Back then it used to be where Clairmont intersects Buford Highway. (Some years ago, it moved to—and still occupies—a building on North Druid Hills, which is fine, and I still go there two or three times a year, but I liked the old location better.) Book Nook was a large used bookstore with a great SF/fantasy section, and probably quite a lot of other types of books, too, but I don't remember because I never looked anywhere else. I do remember, though, that you had to go by—or was it through?—the comic books to get to the SF bookcases. (Book Nook is still a large used bookstore, and it still has a pretty good SF/fantasy section, but now when I go there I also go to several other sections, and also in their current location you don't have to go through the comic books to get to the science fiction shelves.)

When I was in high school, I used to go to the library during my study hall period and look at the original 1977 Science Fiction Encyclopedia—still my favorite edition, primarily because of the illustrations, which were omitted from the mid-90s update. I loved that book; I read more about science fiction than I actually read science fiction. Sometime in the mid-80s, a year or two after Scott and I had pretty much stopped going on our Buford Highway excursions, on a Book Nook visit with my first girlfriend, Laura, I found a copy of the Encyclopedia, and I pounced on it, though I was (and still am) a little disappointed that it didn't have the dust jacket. I can't remember how much it cost, or whether I was able to buy it right away or if I had to go back later (hoping all the while that no one else had gotten to it before me, I'm sure) with the right amount of money. More than thirty years later, I still love that book.

Besides Book Nook, there were at least two other places Scott and I would go regularly. One of them was also a used bookstore; I remember going there one afternoon and finding a copy of Harlan Ellison's landmark anthology Dangerous Visions and thinking I'd found a real prize. I realized years later that it was just a cheap and fairly common book club edition, but I still have that copy, and have read…oh, maybe a fourth of it in the thirty-five years since I bought it. (I've always been guilty of spending more money buying books than time reading them.)

Three books I still have that I know I bought at bookstores along Buford Highway in the 1980s

The other store I remember Scott and me going to on Buford Highway was primarily a used record store—I remember Scott buying an ABBA record there once—but they might have had used books too. I can vaguely picture the inside of the store, but not its location along Buford Highway. I can also remember the owner of the store, as he rang up Scott's ABBA record, telling him about how the members of ABBA spoke no English and learned all their songs phonetically but didn't know what they were singing. Scott just nodded and said, "Oh, really, that's interesting," but as soon as we left the store he told me that was a load of crap (which I'm pretty sure I already knew).

I recall one time on a Saturday Scott and I had lunch at the McDonald's that was near Book Nook, and as we ate, Mike Beaty and Toni Pecoraro, two guys we knew from Berkmar, came in. Mike had a huge afro—look at Neal Schon on the back of a late 70s Journey album—and Tony had shoulder length hair. The both played guitar and were in a band together. I know now that they were just a couple of teenagers, not very different from any other teenagers, but at the time I thought they were rock stars. I don't remember if we talked to them, or if they even acknowledged our presence.

I still occasionally drive down Buford Highway, usually just for nostalgia's sake, since all the book stores and used record stores are now long gone (or, thankfully, moved elsewhere in the case of Book Nook). Sometimes it makes me happy just to be there, since I have so many great memories of that time in my life, and of those book-buying trips with Scott. Sometimes it makes me sad that the area has changed so much, and sadder still that I can't be fifteen again, heading out with Scott to drive down Buford Highway.

Audio Books

There are some books I claim to have read—several by Bill Bryson; pretty much everything I say I've read by David Sedaris; Daniel Pinkwater's brilliant The Snarkout Boys and the Avocado of Death—but really haven't, at least not strictly speaking. Because I listened to them as audio books.

Chances are I've listened to them several times, in fact. I'm sure I've heard Bryson's A Walk in the Woods and Sedaris's Me Talk Pretty One Day five or six times each. Charles Kuralt's Charles Kuralt's America is one of my favorite books; I've listened to it several times, and I've also actually read the printed book—the audio version is abridged, and I wanted to see what I was missing—but I prefer the audio version. It's not that I'm too lazy to read and would rather have Kuralt read his own book to me, it's just that he does it so well.

Many years ago, when I had a regular corporate job and a daily commute, I listened to a lot more audio books than I do these days. There were a lot of really good productions of middle-reader and young adult novels of the kind I then aspired to write, some of which I still have. Because they are mostly on cassettes, it's a lot harder to listen to them now, but someday when I have more time and more energy, I'm going to digitize them to make it easy to hear them whenever I want.

(Why the four books in the picture, you may be wondering, when I didn't name any of them specifically in this post? Well, for one thing they are all books I remember enjoying very much. The Madeleine L'Engle book, A Wind In The Door, which came second in the sequence that began with A Wrinkle in Time, is perhaps my favorite of her books (though I would actually rather read it than listen to it; I think I only listened to this audio book once). The Neil Shusterman book, The Dark Side of Nowhere, is one of the things Anna and I listened to on the drive home from our honeymoon, so I have very fond memories of it. But most importantly, they were in a cabinet in my office and were easily accessible; I didn't have to root around in the garage or that funky storage space under the stairs to find them.)

My Anxieties Have Anxieties

I don't know how old I was when I first read Peanuts. I'm pretty sure it was sometime back in fourth grade, maybe even third, when I started my relationship with these books.

And for me, Peanuts was always about books. I'm sure that for years I was not even aware it was a daily comic strip, probably didn't even know what that meant—but I knew the books. "A Charlie Brown Christmas" was on TV for the first time two years before I was born and had become a seasonal staple by the time I was in fourth grade, but I don't remember seeing it when I was a kid, or seeing any of the other Peanuts TV specials that had been produced by the time I was in fourth grade—but I knew the books.

I've been collecting them, the books, for more than forty-five years. I don't actually have that many—forty-two: I just turned around and counted them—but they are precious to me.

Not everyone cared for Peanuts as much as I do, of course. Al Capp, creator of the "Li'l Abner" comic strip and a generation older than Peanuts creator Charles Schulz, once famously characterized the kids in Peanuts as "...mean little b*stards. Eager to hurt each other." Maybe Capp had a point, but he didn't seem to appreciate the fact that this made them all the more real as kids and as human beings, and that it made the moments of truth and beauty they revealed, either by transcending the inherent melancholy of life or by accepting it, all the more beautiful.

"Life is rarely one way, Charlie Brown," Linus says to his friend as the two lean against the brick wall where they do all their philosophizing, "You win a few, and you lose a few."

"Really?" says Charlie Brown, who—at least in his own perception—has never won a thing in his life, and—again, at least in his own perception—probably never will. "Gee," he says in the last panel, his mouth in the beginnings of a hopeful smile, "that'd be neat!!"

That hopeful smile makes Peanuts wonderful.

Books I Have Lost

Not everyone who loves to read values books as physical objects; plenty of people love reading but don't need, or even want, to be surrounded by bookcases filled with books.

But I do. I value books as physical objects, and I want, maybe even need, to be surrounded by bookcases filled with books. It makes me happy.

And it really bothers me when I lose a book. Three years ago when we moved into our current house, I had boxes and boxes of books to move and unpack, and at some point--several months, actually--after I was done, I realized there were some books I couldn't find. It's possible I got rid of those books in a fit of downsizing, but I doubt it--the books in question I don’t think I would ever have wanted to get rid of, and one of them, Thomas Merton's The Seven Storey Mountain, is a book I did get rid of once, and then bought another copy of some months later when I found that I wanted it back. I'm afraid that somehow amidst all the hubbub of our move I lost or misplaced a whole box. (And what else may have been in that box that I haven't missed yet?)

Whenever I get rid of books I regret it. Oh, I don't miss every single book I've ever gotten rid of, but I'm never sure which books I'll miss and want back. About twenty-five years ago I read The Magus by John Fowles; it was brilliant and compelling, but also long and challenging, so at some point I got rid of it. I wish I hadn't. I doubt I'd re-read the whole thing again--though I might--but it would mean something to me to have it on my shelves. I also used to have a great hardback Modern Library edition of Emerson's essays, but I got rid of it because Emerson's work has long been in the public domain and is readily available online if I want to read it on my tablet, and the book was taking up valuable shelf space...

The next time I get the idea to purge some of my books, I'm going to box them up and put them in the attic instead of getting rid of them. That will make it easier to get them back three months later when I decide I do want them after all, and will give me the pleasure of going through the box and finding some things I'd forgotten about.