Clifford D. Simak and Grandpa Jones and Their Dogs

I wrote a few months ago about how much I like listening to Grandpa Jones sing about dogs, though I don't actually like dogs that much, or want a dog as a pet. I've been listening to Grandpa Jones fairly regularly for several months now, and thinking about why I like him so much, and I realized that one of the many reasons I love Grandpa Jones is that listening to him makes me think of one of my favorite science fiction writers, Clifford D. Simak.

The connection between Simak and Grandpa Jones? Well, several things -- a love of the land and nature, simple country characters, bucolic beauty, backwoods simplicity.

But mostly it's the dogs.

Dogs are one of Simak's characteristic story elements, along with aliens, which every SF writer of his generation wrote a lot about. And ghosts, which most SF writers of Simak's generation did not write about. But there are ghosts in a lot of Simak's stories. And robots. Lots of robots.

One of my first experiences reading Simak's work was more than 40 years ago, when he was still alive and writing. (He died in 1988, but published a novel that same year.) I checked out his then-current novel Special Deliverance from the Lilburn public library, along with Piers Anthony's then-most-recent book (Juxtaposition, I think, or else the book that came before it, Blue Adept) and I've been a fan ever since. (Special Deliverance is considered one of his minor novels, but I love it, probably because it was the first thing I read by him. It's got a great cover – there's a robot on it. However, the book doesn't have any dogs in it.)

I recently re-read one of Simak's most famous stories, the 1958 novella "The Big Front Yard," and in that story the main character, Hiram Taine, has a dog named Towser. There's a Grandpa Jones song called "Old Towzer." Sure, Grandpa Jones (or whoever actually wrote the song; I'm not sure if it was him or not) spells it differently – and Simak always spells it the same; lots of his stories have a character kind of like Hiram Taine, and they always have a much-loved dog, who is, it seems, always named Towser – but Grandpa Jones and Clifford D. Simak show a similar affection for their old dogs. Even those that aren't named Towser.

If only Grandpa Jones had some songs about robots!

Traveling Misanthrope

I do a lot of driving. It always brings out the misanthrope in me.

I go on a lot of recreational drives, like into the mountains of north Georgia or up U.S. 441 toward the Great Smokey Mountains National Park (one of my favorite drives in the world) or on various backroads that seem like they might be interesting. The roads on these drives tend to be twisty and turny and I don't always know them that well, plus I'm trying to enjoy the scenery, and I'm on the lookout for any thing or place worth stopping at to visit or to take a picture of.

So I don't drive especially fast.

Oh, most of the time I'm driving the speed limit, sometimes a tiny bit faster – I may go 50 in a 45 MPH zone, but that's usually as fast as I'm willing to go. But that never seems fast enough for most of the cars that end up behind me. When I'm out there driving, trying to enjoy the scenery while also keeping my eyes both on the road and on the car's mirrors, it seems like all the other cars want me to drive faster than I am, and they sure as heck don't like it when I slow down to look at something that I might find interesting enough to take a picture of. I get passed or tailgated by just about everybody. The only scenery the other drivers care about, it seems, is the trees and mountains whizzing by in a blur as they speed off towards…wherever it is exactly those other drivers are going.

And it makes me hate them, every one of them. Stupid tailgating cars! I drive like I have a sense of self preservation. The other drivers seem to think they're immortal. They drive as though when they're around, all laws, including those of driving, the road, and physics, are suspended. My driving is informed by the knowledge, like Mr. Flood's gentle handling of the whisky jug in that Edwin Arlington Robinson poem, that "most things break." And that includes people who drive like idiots, or who drive too fast on twisty, turny roads they aren't familiar with.

It's pretty much the same on the roads I travel regularly, the roads I am familiar with. Even when I'm just heading to work, I still drive like someone who knows you should exercise caution when piloting a ton of metal down the road -- which is to say, I don't drive fast enough for everyone else.

I don't really know what the people in the cars behind me are thinking. Probably I spend a lot more time thinking about them than they spend thinking about me. There's probably nothing personal when they zip by me at 100 miles an hour. I doubt they really think, "Oh no! It's that Chris Burdett guy who always drives so slow," when they see the hind end of my Hyundai Elantra on the road ahead of them.

I doubt they enjoy passing me.

Do they?

Feeding the Ducks at Meridian Park

Quacking and waddling
hurriedly in our direction,
the ducks seem to intuit
that the containers we cradle
contain cat food meant for them –
though cats they are not.

They don't care what the food is called,
or what animal is depicted
eating it on the bag,
or about the therapeutic value
we find in feeding them.
They gobble down
the food we toss out
and waddle away when it is clear
the containers are empty.

I doubt they think about us
at all when we are not there.
But I – I have pictures
and this poem.

Dog Songs

I may not be a dog person, as I wrote back in July in "Pardon My Musing" post about the dogs I had growing up, but I do like to hear people sing about their dogs.

In something I wrote for Instagram a couple of months ago as a commentary on a Peanuts cartoon, I referred to Grandpa Jones and "The Banjo Am the Instrument." Ever since then I've been listening, nearly but not quite completely exclusively, to a Spotify playlist of songs by Grandpa Jones. Among my favorites are those about dogs.

The dogs in these songs have names like Towser, Rattler, and Old Blue (maybe more of a description than a name, or a name that came from a description; who knows?), they all are dearly loved, and they are all used in hunting (mostly of racoons and opossums). I didn't even know there was a tradition in country music, or folk music, or wherever it came from, of songs celebrating dogs, but there seems to be, and Grandpa Jones carried on the tradition, singing about "good old Towser," and "Old Blue, you rascal you," and the rest.

So, while I myself don't have a dog and am not remotely interested in hunting, I love to hear Grandpa Jones sing about both.

Pollen Tanka

At this time of year
Pollen collects in our lakes
– and on our cars, and
on our sidewalks, and even
on us if we remain still!

Indian Springs State Park

Today, Anna, the kids, and I went to Indian Springs State Park in Flovilla, Ga., which includes many beautiful stone buildings built nearly a century ago by the CCC (Creedence Clearw--no, that can't be right--Civilian Conservation Corps), and which was named for the spring water which can be accessed (and which there was a long line of people with empty containers waiting to get) at one point.

These are some of the pictures I took while we were there.

This building--an interpretive center or museum of some sort, I think--was closed, but I took this picture through the glass of the door. Looks very castle-like, doesn't it?

A Morning Lantern Poem

A morning lantern poem:

         Mug:
        Coffee,
     Not too hot,
Cream and sugar–
       Mmmm!

(With thanks – or maybe blame; I'm not sure yet – to Brian P. Cleary, whose book If It Rains Pancakes: Haiku and Lantern Poems inspired me to write a short poem of my own. I apologize in advance if others follow.)

Scenes From a Morning Walk Around the Lake at Tribble Mill Park

Today I went for an early-morning walk at Tribble Mill Park. These are some of the pictures I took while I was there.

My First Digital Camera

It's been a long time since I was on the vanguard of anything, but I did have one of these things (a digital camera) years before everybody had one in their pocket (in the form of a smartphone, or "pocket computer" as I prefer to call them). I came fairly early to the party of taking pictures digitally and storing them as files and posting them online for the amusement of others.

This is my first digital camera, a Kodak DC210 Plus, which I still have and which still works and which I bought on the same day as – in fact, just a few minutes before – my first date with Anna, more than twenty-three years ago, on August 11, 1999. And here are a couple of the first pictures I took with this camera, one of me in the Nissan Sentra I was driving then, and one a couple hours later of Anna standing in front of the place we met that day (though not in front of the actual restaurant where we ate):

I didn't buy the camera because I was going on a first date, but going to buy the camera – at an Office Depot on Holcomb Bridge Road in Roswell – may have given me a certain confidence that I didn't otherwise have. I had been thinking about getting a digital camera for a while, and had done a little bit of research on what kind to get – though back in 1999, opportunities to easily do "research," at least online, were not what they are today. In any case, having a first date at a Chinese restaurant (Marco Polo; it's not there anymore, and neither is the Office Depot) that was near a store that sold cameras was the impetus I needed to go ahead and make the purchase.

I wanted a digital camera mostly to supplement the up-until-then all-text travelogues that I loved writing and sending out via e-mail when I went on trips; I wanted to post my travelogues online, with photographic evidence. I put the camera to use in that capacity just a few weeks later when I went to the TechLearn conference in Orlando for ExecuTrain – the third year in a row I had gone to that particular conference. I spent all my free time on that trip at Epcot, as I had the year before, and took lots of pictures, some of which I posted to an AOL-hosted page I created. That post is now available on Planet Burdett.

Even though I enjoy looking at the Orlando-trip pictures, I'm very happy that among the first pictures I took with this camera, besides the "selfie" of me in the driver's seat of my Nissan Sentra (though the term "selfie" didn't exist then), is the picture I took of Anna that night after we had dinner. There's even a date stamp on it! (I hadn't yet learned how to turn off that date stamp.)I also used it just a few days after buying it to take pictures at Zoo Atlanta, when Anna and I went on our second date the following Saturday, and also when we went to Savannah and Rock City and Amicalola Falls and lots of other trips Anna and I went on back then, when we were young and hadn't yet become parents (or even gotten married, for many of these trips). I created online travelogues for some of them.

Hey, look: this camera has a whole megapixel! That was a lot of dots back then. It also has a 2x zoom, which also was quite respectable in 1999. It takes four AA batteries, and records its images on a CF (compact flash) card, the SD card having not been invented yet.

A couple of years later, I replaced this camera with another Kodak DC model, which I don't remember and no longer have (I think it might have been a DC3400, but I'm not sure), but which made two megapixel pictures, and then a couple of years after that, when I was ready to get really serious about photography, with an Olympus Camedia E-10 (which had four megapixels, which probably really was just about enough). These days I take the majority of my pictures with my pocket computer, a Google Pixel 5a, but I also have a Canon 60D and a Nikon P7800, both of which I like and use sometimes.

Fly Like an Eagle

Without meaning to, my friend Kevin Eames – sadly now the late Kevin Eames – nearly ruined a couple of good songs for me.

I remembered one of them recently, when J. and I were on our way home from somewhere, listening to a playlist of a bunch of old rock songs on shuffle, and the song randomly picked by MediaMonkey (one of the apps I use) was "Fly Like an Eagle" by the Steve Miller Band. It was the first time I'd heard it in a long time. I'd forgotten how hokey and pseudo-profound – but also embarrassingly sincere and actually kind of meaningful – it is, including as it does the following lines:

Feed the babies
Who don't have enough to eat
Shoe the children
With no shoes on their feet
House the people
Livin' in the street
Oh, oh, there's a solution

I can't hear this song without thinking about something Kevin said to me at least twenty-five years ago. He told me once that when he was a kid and heard this song, he thought "house the people" was an inquiry into the well-being of "the people" – not "house the people," but "how's the people?", as in (as Kevin said at the time, in a faux-Jersey accent) "How's them people? How they doin'?" (Neither of us said anything, in any accent whatsoever, about how the next line, "Livin' in the street," is a depressing reference to the homeless problem.)

I don't know if what he said was true or not; I don't know if Kevin ever actually misinterpreted the song in this way, or if he was just being silly. But I'll tell you this: Whenever I hear or think about "Fly Like an Eagle," which admittedly is not often, I can't help but hear "how's the people?" in the lyrics.

Kevin told me another time, even before he had nearly ruined "Fly Like an Eagle" for me, that when he was teaching history at a small private Christian school, the school had a Christmas store they called Santa's Secret Workshop, and that one day he heard one of his students sing "Santa's Secret Workshop" to the tune of that great guitar riff that starts off Jethro Tull's "Aqualung" – and that he surprised the student by saying, "Hey, that's Jethro Tull, isn't it?"

And now, whenever I hear Aqualung – again, admittedly not often – I hear a deep voice intoning "Santa's Secret Workshop" in the same melody as Martin Barre's repeated six-note guitar riff at the opening of the song. (And yes, in case you're counting it out on your fingers as I did, "Santa's secret workshop" and "Sitting on a park bench" – the opening line of the song, sung by Ian Anderson to the same melody – do have the same number of syllables.)

I'm sure Kevin's children know that he could be really funny – Kevin told me once that Hilary told him he was "sillier than the other dads," which I have no trouble believing he was. But do they also know, I wonder, that Kevin had friends who prized his sense of humor, were perhaps even changed by it, and who really, really miss it?

I miss Kevin. I'd give anything to hear one of his corny stories again.

Eighteen Years Ago

Eighteen years ago today I taught my first college English class.

It's significant that it was eighteen years ago because in that English 1101 class, virtually all of the students were "traditional" college freshman, in that they were nearly all eighteen years old and just out of high school. So, for them that class was half their lives ago; they were eighteen then – approaching adulthood – and they are 36 now – approaching middle age (with a rapidity that probably sometimes surprises them, if they're experiencing their late 30s like I did.).

For me, however, that English 1101 class in 2004 wasn't even quite a third of my life ago; I was 37 then, and had already spent a decade and a half in the computer training industry before being able to leave that field and move towards what I'd decided I really wanted to do nearly twenty years earlier, teach college-level English.

Next year, in 2023, most of those former students of mine will turn 37, and I will probably post something then about how now the students I had in my first year of teaching are the age I was when I taught them. The student has become the master (or something like that. I wasn't really a "master" when I was their teacher, but I was finally becoming old enough to begin to recognize that fact, which is perhaps the beginning of wisdom.).

Of course, I'll still be older than they are; they may turn 37 next year, but I'll be 56, the age at which…well, an age I've never been before, so I don't know "at which" what. I guess I'll find out. In any case, I'm pretty sure that then I won't be any wiser, despite being nearly two decades older, than they are; probably I never was. They may be approaching the beginning of wisdom, as perhaps I was at their age, but I'm approaching my dotage with a rapidity that sometimes surprises me.

So, anyway…eighteen years ago today I taught my first college English class.

(The picture above was taken eighteen years ago, around the time I started teaching; the picture below, for contrast, is just a couple of months old. I've changed a bit in eighteen years, no?)

The Air Conditioner Is Me

See this dilapidated window-unit air conditioner? Ancient, rusty, falling apart; it looks like it couldn't possibly work, doesn't it?

Well, guess what (I know I'm broadcasting this so obviously you can't possibly miss)? IT WAS RUNNING!

I encountered this air conditioner yesterday afternoon while cutting through an alley in Clayton, GA, on my way back to my car. Since I saw it from the back, I'm not sure what store or office it was cooling, but I'm sure the people inside appreciated the relief from the heat and didn't care how dilapidated the air conditioner was.

As someone who is a little dilapidated, and who sometimes feels ancient and rusty and like I'm falling apart, I'm grateful for the lesson. Whatever it is.

Stay Proud

In just a little more than an hour, Pride Month will end, and I'm sorry to see it go. All the rainbows have been really nice, haven't they?

You know what else is nice? The notion that a person shouldn't be ashamed of being different. And the idea that people should respect each other and be good to each other. And the belief that a person should accept themself for who they are, and not be afraid to be true to themself.

That's nicer than a rainbow.

Becoming a Dad at Forty (or so)

Me, shortly after becoming a parent for the first time, and right around the time I turned 40

Another picture from around the time I turned 40. I'm not sure if I was really asleep in this picture or just pretending.

I was forty when I became a parent for the first time.

Actually, that's not true, that's just what I tell people. I was 39 when my first child was born, though I did turn 40 about ten weeks later. For simplicity, though, I tell people (if it ever comes up, which frankly it hardly ever does) that I didn't become a parent until I was forty – even though the truth is that I was still in my thirties. Just barely, but technically in my thirties nonetheless. Practically still a kid!

There are, of course, a lot of things a person isn't prepared for when they become a parent for the first time, but in my case there was one extra thing I wasn't prepared for, in fact hadn't even thought about: How often I would be mistaken for, just assumed to be, the grandfather rather than the father.

The fact that I was going gray, was in fact mostly gray, by my mid-forties didn't help. By the time my second child came along when I was forty-three, I probably really did look like a grandfather. A young one, true, and devastatingly handsome – er, well, young, anyway – but lots of people become grandparents when they're in their forties. There are plenty of people my age, younger, even, who look like me, and who are grandparents.

But I was not one. And it really bothered me when people just assumed I was.

I can't remember the first time it happened, but I remember once when Elyse, my second child, was about three and I was forty-six, we went to McDonald's for breakfast – Elyse had gotten a McDonald's gift card for Christmas; whoever gave it to her knew that we liked to go there once a week or so and get pancakes and sausage after taking my other child to school.

So this one morning I'm writing about, as Elyse and I sat and ate our breakfast at the McDonald's in Snellville, the one near the Target, there was an older couple at a table near ours – and by "older," I mean older than me; probably in their sixties if not in their seventies; old enough to justify an assumption that they were grandparents – anyway, this older couple was smiling and waving at Elyse and trying to make friends with her, as some people do when they see young children in public.

On our way out I tried to avoid them, but we had to go right by their table to get to the door, and Elyse smiled at them and told them her name (after they asked, of course) and proudly showed them her gift card. The woman looked impressed and said, "Did you take Grampa out for breakfast?"

My heart sank. Elyse was probably confused. (Grampa, or Pa, my father wasn't with us; what was this lady talking about?) I just smiled a smile I didn't really feel, didn't bother to correct them, muttered something about how we loved the pancakes, and got us out of there as quickly as I could. I hope I didn't show it to Elyse, but I was in a funk the rest of the morning.

This was not the first time some version of this had happened; by then it was common enough that I steeled myself for it, knowing it was likely to come.

Why did I dread it so, though? There's no shame in being a grandparent, even if you aren't even fifty yet, and, as I've already said, plenty of people are grandparents before they're fifty. I'm sure if I really had been the grandfather, I would have been proud and pleased to be recognized as such. But since I was not the grandfather, I felt a little insulted that these people might be implying (not on purpose or with any awareness, of course) that I looked too old to be the parent of a toddler. I wasn't obsessed with youth or with looking young or anything; it didn't bother me at all to look like I was in my mid or late forties when I actually was.

But to be someone who was forty-six, and looked it, and was just assumed to be too old to be the father of a young child? That bothered me. And I guess in part that's what I felt like was going on when someone referred to me as Grampa or Granddad or whatever.

But I was proud of my kids – still am – and didn't like it when people didn't realize I was in fact the father of these wonderful children. Now that their ages are in double digits – Elyse is less than a year from being an official teenager, for pity's sake! – people tend to realize I'm the father, which I appreciate. Also, it does give me a bit of added security, and also some pride, when I fill out an official form, at the dentist's office, let's say, and on the "Relationship to Patient" line, I get to write Father.

1995: A Saturday Night at ExecuTrain

Kevin Eames, in his office at ExecuTrain, one Saturday very much like the one described below (except, obviously, this picture was made during the day and not at night). I really miss Kevin.

A corner of my office at ExecuTrain in the middle of the 1990's (and man do I wish I still had that Marx Brothers poster!) 

The lake and the back of the ExecuTrain building

It's dark outside. Sitting at my desk, not actually working, I can't see the lake that my office window overlooks, but I can see my own reflection in the window, and the reflection of my office and all the stuff in it. From my computer's CD player and speakers Ella Fitzgerald sings "Oh, Lady Be Good." [I realize now, more than twenty-five years later, that she was still alive then, though only for a few more months.] I love that album – The Songbooks (a compilation of some of the best songs from Fitzgerald's "Songbooks" recordings for Verve). I borrowed that CD so many times from my friend and coworker Chris Luse that my boss, Karen, gave me my own copy for my birthday. Ella Fitzgerald and jazz are still new to me, and I love this form of music that is so different from what I grew up listening to.

It's Saturday night and I am at work in my office at ExecuTrain in Alpharetta, Georgia. I'm twenty-eight years old. During a lot of weekday afternoons, when I otherwise would be at work, I go out looking for a house to buy, my first house, which I will borrow from my 401(k) to purchase. [The house I ultimately picked was that blue two-story in Lawrenceville, the one I lived in when I first met Anna, and in which we lived for the first three years of our marriage.] The arrangement I have with Karen is that I can leave work early in the afternoon to go house-hunting with my real-estate agent, Evelyn, provided that I still get all my work done and meet my deadlines. That is why, despite being in what is typically a Monday through Friday job, I am at work on a Saturday night.

My friend Kevin is here, too, working in his own office a few doors down from mine. He has an arrangement like mine with his boss, Jason, except instead of looking for a house – he and his wife Lisa already have a house – he is working on his Ph.D. at Georgia State. [I didn't know this at the time, of course, but a little less than a year later Kevin would have a heart attack, from which he recovered fully, but which was the first manifestation, as far as I know, of the years-long struggle with heart problems that would ultimately end his life, twenty-three years later.] I wish I could spend the whole evening hanging out in Kevin's office and talking about the things we like to talk about -- books, music, Rocky & Bullwinkle, and sometimes even work -- but we both have a lot to do.

So we are in our offices working. Right now, in this moment [and from the present I am writing in, as opposed to the present I am writing about, "this moment" is actually a quarter of a century ago], before any of what I know will happen to us happens, Kevin and I are both young – I have yet to turn thirty; Kevin is still five years away from forty – and healthy, and we have years of living before us. We have a lot to do; we are at work on a Saturday night; it is dark outside, and we cannot see the lake that's just outside our office windows.

Having Breakfast with the Birds

The tufted titmouse
Doesn't flee when I step out--
But she looks my way
And the scolding she gives me
Is quite unmistakable.

After a short while
None of the birds seem to care
That I am out here.
There are no more screeching scolds
Aimed at me. Just the flutter

Of dozens of wings
And the hammering of beaks
On sunflower seeds.

Garage Door Opener Pulley

Over the weekend, one of the extension springs on our garage door opener broke. I decided to replace it myself rather than pay a bunch of money for somebody else to do it; while I was getting ready for the repair, I took a bunch of reference pictures in case I needed them along the way. I ended up not needing any of them; it was a fairly easy and straightforward job which I finished in only about an hour. (I might have done it in fifteen minutes if I hadn't kept dropping things or forgetting where I put something, and also having to go back inside to wam up my hands--I did this last Saturday night, when it was very cold!)

Anyway, I really like this picture, even if I didn't need it to get the garage door working again.

"Try to Keep the Ball Low..."

There is quite a bit of wisdom to be gleaned from this exchange between Charlie Brown and Lucy (from March 19, 1969), but I don't think the real takeaway here is "try to keep the ball low." (I think it's something about how often the better choice is to just shrug and say, "It's a mystery to me, too," because, really, the Lucy Van Pelts of the world don't want to hear your answers.)

My Default Chekhov

Up until I was nineteen or twenty, if you had said "Chekhov" to me, I would have immediately thought of Ensign Pavel Chekov, the navigator of the U.S.S. Enterprise, played by Walter Koenig on the original "Star Trek" series and in a number of theatrically-released movies. He was my default Chekov. (Didn't know there was such a thing, did you?)

Sometime around 1986, though, my default Chekhov changed (both in the person it referred to and in the number of H's in the spelling, as you can see.) I was very interested in short stories then (still am, though back then I actually wrote them; now I don't), and I was reading a book I'd bought used somewhere or other called The Short Story. (It's actually an old college textbook for a literature class in short stories; it was published in 1967, the year I was born.) One night I read a Chekhov story in that book called "The Lament," about Iona, the cab driver in late-nineteenth century Russia, who is so overcome with grief at the loss of his son, and so unable to express his grief to any of the uncaring people he encounters through the course of the story, that at the end of the story he tells all his problems to the little horse who pulls his cab.

It's a stunning little story--only about four pages long, probably no more than 2,000 words, but heartbreaking. That's when my default Chekhov switched from the fictional twenty-second century starship navigator to the real nineteenth century Russian author.

I didn't actually read that much more Chekhov then, though, although I probably did sometimes tell people he was one of my favorite writers. Mostly I was reading the works of people who were American and still living and writing (Raymond Carver, who was still alive and working then, Bobbie Ann Mason, David Leavitt, Peter Cameron, Lorrie Moore, and a whole host of others, all of whom are still working as I write this) and dreaming about taking my place among them (which I never did--but that's okay; I gradually came to recognize that I didn't necessarily belong among them).

These days I do read a good deal more Chekhov, and I love his stories. But what I also love is the alienness of the people and places he describes--there's something immediately intriguing to me about being told that a character's name is Dmitri Illyich, and that he is sleeping on a haystack near an old barn in Vladivostok. Those exotic names (or exotic-sounding, to my American ear) get me every time.

Buford Highway Recollections

Book Nook as it appears now, in its current location on North Druid Hills road

In the early 1980s, my cousin and friend Scott and I would go on book-buying trips down Buford Highway once a month or so. (At least I remember it as being that often and that regular. Maybe it's something we only did three or four times…but I remember it as being every month or so for a period of a year or so. Also, for me they were book-buying trips, but I think Scott was actually more interested in looking for records.) Sometimes we'd go on a Saturday, sometimes on a weekday afternoon after school—most of the time when this was a regular event for us, we were both still in high school at Berkmar, me in ninth or tenth grade and him in eleventh or twelfth.

The high spot of these trips was Book Nook. Back then it used to be where Clairmont intersects Buford Highway. (Some years ago, it moved to—and still occupies—a building on North Druid Hills, which is fine, and I still go there two or three times a year, but I liked the old location better.) Book Nook was a large used bookstore with a great SF/fantasy section, and probably quite a lot of other types of books, too, but I don't remember because I never looked anywhere else. I do remember, though, that you had to go by—or was it through?—the comic books to get to the SF bookcases. (Book Nook is still a large used bookstore, and it still has a pretty good SF/fantasy section, but now when I go there I also go to several other sections, and also in their current location you don't have to go through the comic books to get to the science fiction shelves.)

When I was in high school, I used to go to the library during my study hall period and look at the original 1977 Science Fiction Encyclopedia—still my favorite edition, primarily because of the illustrations, which were omitted from the mid-90s update. I loved that book; I read more about science fiction than I actually read science fiction. Sometime in the mid-80s, a year or two after Scott and I had pretty much stopped going on our Buford Highway excursions, on a Book Nook visit with my first girlfriend, Laura, I found a copy of the Encyclopedia, and I pounced on it, though I was (and still am) a little disappointed that it didn't have the dust jacket. I can't remember how much it cost, or whether I was able to buy it right away or if I had to go back later (hoping all the while that no one else had gotten to it before me, I'm sure) with the right amount of money. More than thirty years later, I still love that book.

Besides Book Nook, there were at least two other places Scott and I would go regularly. One of them was also a used bookstore; I remember going there one afternoon and finding a copy of Harlan Ellison's landmark anthology Dangerous Visions and thinking I'd found a real prize. I realized years later that it was just a cheap and fairly common book club edition, but I still have that copy, and have read…oh, maybe a fourth of it in the thirty-five years since I bought it. (I've always been guilty of spending more money buying books than time reading them.)

Three books I still have that I know I bought at bookstores along Buford Highway in the 1980s

The other store I remember Scott and me going to on Buford Highway was primarily a used record store—I remember Scott buying an ABBA record there once—but they might have had used books too. I can vaguely picture the inside of the store, but not its location along Buford Highway. I can also remember the owner of the store, as he rang up Scott's ABBA record, telling him about how the members of ABBA spoke no English and learned all their songs phonetically but didn't know what they were singing. Scott just nodded and said, "Oh, really, that's interesting," but as soon as we left the store he told me that was a load of crap (which I'm pretty sure I already knew).

I recall one time on a Saturday Scott and I had lunch at the McDonald's that was near Book Nook, and as we ate, Mike Beaty and Toni Pecoraro, two guys we knew from Berkmar, came in. Mike had a huge afro—look at Neal Schon on the back of a late 70s Journey album—and Tony had shoulder length hair. The both played guitar and were in a band together. I know now that they were just a couple of teenagers, not very different from any other teenagers, but at the time I thought they were rock stars. I don't remember if we talked to them, or if they even acknowledged our presence.

I still occasionally drive down Buford Highway, usually just for nostalgia's sake, since all the book stores and used record stores are now long gone (or, thankfully, moved elsewhere in the case of Book Nook). Sometimes it makes me happy just to be there, since I have so many great memories of that time in my life, and of those book-buying trips with Scott. Sometimes it makes me sad that the area has changed so much, and sadder still that I can't be fifteen again, heading out with Scott to drive down Buford Highway.